详情介绍
19世纪，年幼的福尔摩斯与华生医生在同一所寄宿学校就读。福尔摩斯自幼便展现出非凡的观察与逻辑推理能力，在学校备受同学注目。他与华生以及他暗恋的姑娘伊丽莎白·哈迪一同，调查一桩看似偶然的自杀事件。三人抽丝剥茧，循着线索从学校逐渐走入伦敦的黑巷之中，最终揭露并破获了背后惊人的罪案阴谋。
上映信息： 少年福尔摩斯1985年12月4日在美国上映，片长109分钟，支持线上平台点播观看。
拍摄制作： 少年福尔摩斯本片由美国派拉蒙影业公司、安培林娱乐、工业光魔公司联合制作，巴瑞·莱文森执导，克里斯·哥伦布担任编剧，史蒂文·斯皮尔伯格监制，制作成本约1800万美元，1985年12月4日在美国上映。
获奖记录： 提名 奥斯卡金像奖 - 最佳视觉效果
幕后花絮：本片的视觉特效由工业光魔制作，皮克斯动画工作室参与了特技制作；史蒂文·斯皮尔伯格担任本片监制；这是最早在银幕上呈现福尔摩斯和华生少年时代共同冒险故事的改编作品。
主演明星
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演员,编剧,配音,导演
尼古拉斯·罗尔
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演员,剪辑,制片人
艾伦·考克斯
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演员
索菲娅·沃德
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演员
安东尼·希金斯
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演员,配音
苏珊·弗利特伍德
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演员,配音
弗雷迪·琼斯
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演员
奈杰尔·斯托克
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Personally, a major pleasure derived from watching yesteryear films, particularly those who are angling for a mainstream market, is to carp about how formulaic and dated they are in today’s eyes, and once in a while, getting bowled over for some ingenuity whether it is in the technological aspect or the message they try to convey.
Barry Levinson’s YOUNG SHERLOCK HOLMES, is a case in point, a bold fabrication of a teenager Holmes (Rowe) first meeting his stalwart sidekick John Watson (Cox) in a London’s boarding school, and together they take it in their strides to solve mysterious murders conducted in the most bizarre way, which look like ostensible suicides or accidents, but are engendered by hallucinogenic thorns shot from a blowpipe.
Written by Chris Columbus (another collaboration with Steven Spielberg as the producer apart from THE GOONIES), YOUNG SHERLOCK HOLMES almost uncannily foreshadows the scribe’s latterly envisaging of his HARRY POTTER movies, a trinity of the protagonists, two boys plus one girl Elizabeth (Ward), Holmes’ love interest, Watson is likened to a chubbier Harry Potter and a snotty rival student Dudley (Rhodes) anachronistically models after Draco Malfoy, to say nothing of the interior design of the school, its chemistry class and staff, and not to mention the preternatural elements.
Actually it is the latter that might galvanize its new audience, and the film configures a cracking prologue to pique our curiosity, but that thrill conduced by unexpected utility of special effects (including a very rudimental CGI character, the first ever put into a motion picture!) can only last for a while, when repetition follows and the crime-solving procedural involving Holmes’ rapier-like deduction dismally cedes to a fun-size version of Indiana Jones’ adventure (when ancient Egyptian deity and a jerry-built underground pyramid are introduced as an exotic barbarity), the thrills are gone (should we blame it on the producer?) and the identity of the culprit is plain as day, yet who must still be Anglo-Saxon, though half-breed.
Lastly, what also sticks in Yours Truly’s craw is the way an innocuous gal, without any fault of her own (even in her last gasp, she looks impeccably comely) is doomed to be “fridged” to feebly account for the grown-up Holmes’ cynical, dispassionate personas, to keep him footloose and fancy-free for his grand future, and all her undoing is falling in love with the wrong boy, that is quite the ‘80s screen sexism in a nutshell.
referential entries: Steven Spielberg’s INDIANA JONES AND THE TEMPLE OF DOOM (1984, 7.2/10); Guy Ritchie’s SHERLOCK HOLMES: A GAME OF SHADOWS (2011, 5.8/10); Herbert Ross’ THE SEVEN-PER-CENT SOLUTION (1976, 6.7/10). 
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